Jewel Mind, Diamond Soul – The Brilliant Humanity of Leonardo
Jewel minds comes to us seldom, and to partake in any quality ways of life were a test during the lifetime of Leonardo da Vinci (1452-1519). Situation that transpired during these years made general limits for the advanced world new and old. By then a kinsman of what might turn out to be Italy had opened up another world, while Leonardo was a few times compelled to move to Avignon in diamond painting premium France while multitudes of Florence fended off Venice who battled them all off. Truth be told in one of these trips for a more sound way of life than kicking the bucket, he brought along a work of art, which he offered the King of France, who was likewise one of a few Popes around then, safe harbor.
So we should all stop our glares that the Mona Lisa was war goods by some Napoleon, who took much from many. In any case, the Mona Lisa, we currently learn, was as installment for a long time defensive guardianship, where he resided in secure extravagance and made a lot. Thus, dear France, I reclaim my wild look: your Mona is yours, as though installment to Rome, for sound ways of life to Leonardo, until a more pleasant Borgia said it you can get back home.
Furthermore my jump to the present is to address the point, concerning how Leonardo would find a body in it’s finished sense, including doing post-mortem examinations to strip away a dead body of a human, skin through muscle to organs and bone. He did this once at an old home when he posed inquiries of a man in his nineties a portion of his methodologies. The delicate man talked as our insight today, he was poor yet he remembered his good fortune. He attempted to be caring and insightful to other people. He could enjoy the delights of his long life during starvations and diseases. He expressed gratitude toward everybody, was an easy-going soul. He was still near his family, and he ate well, and strolled. He was mindful so as to not fall, as he saw many individuals end along these lines.
And afterward he kicked the bucket. Leonardo was so overpowered he mentioned, and was permitted to do a total post-mortem of this superb man. He observed a body still inside so abnormally youthful, while he had survived to such an extent.
So we in all actuality do realize that Leonardo painted the Mona Lisa as his internal eye saw her. He made her skeletal construction, and afterward filled in the organs and over them the layers of muscle. Also over those layers he pulled on her skin, and flew in her eyes, and dealt with her grin. There are many layers of muscle under that skin and those lips, and that is one of the sorcery of her eyes too. They are adjusted with layers, as may be obvious, that when you walk right to left, her eyes follow you. Furthermore her grin changes as well. That is Leonardo for you.